The visiting ducks

I was out at sunset to shoot reflection and autumn colours at a lake in the forest nearby of the city I live in. When I was shooting landscapes the ducks came really close to the shore and I used the chance to take some photos of them real close with wide angle lens as well as taking a little movie of them.

Duck wide angle

 

Duck II

 

I got some nice landscape shots that day as well, so all in all it was a good experience.

 

Autumn fire

Skilled people have more luck?

One big advantage with doing something regularly is that you in time get better because you know the techniques, because you are better prepared and because you know the surrounding landscape better. I have heard this expressed as that “skilled people have more luck” once.

This evening I was again out, it was a good day, a mix of rain and sun, which means clouds, possible good lights, possible more. This evening it turned out to be a light rain close to where the sun went down.

I wanted to capture cloud movements, colours, reflections, shadows, calmness. The quiet most never experience. I read an article written by a landscape photographer out of NYC, where he said that the beaches usually where empty of people in the early morning and evenings. It hits me where I live that it is like that, most people miss the most spectacular time by the sea.

I mounted my camera on the tripod, added the Lee Filter Little Stopper, and a 0.6 gradient ND filter (as the sky is more light then the ground/sea. Since I knew it was raining I brought an umbrella. Not for me, but to hold over the camera to avoid getting good shots ruined of the raindrops on the lens. I have also found out the Little Stopper is very nice because it enables me still to focus trough it, something which is impossible with Big Stopper.

umbrella tripod

I usually try to place the tripod out into the water to be able to have the photo start of right away with interesting foreground. Well the shot to the right tells I do not always do that.

I was quite happy with the outcome of today.

Horizon on fire
Horizon on fire – 16mm, 10s, f/11, ISO 50

 

horizon on fire II
16mm. 20s. f/11, ISO 50
16mm, 49s, f/11, ISO 50

 

Most days life is grey

Most days are exactly what you make them. There is nothing really remarkable happening. It is only you who have the opportunity to make them differentiate from other days. It is only you who can see the beauty in the day when most just see same old.
It was a grey day. It was flat light, it was no particular waves, it was no particular wind, the clouds where high.
My thought was to use the motion on the waves hitting the beach. It didn’t become spectacular, it became better than okay.
Maybe not as grey as grey.
motions

Panorama

Last evening I was down at the beach at a place I like to go to. A peninsula  called Bygdøy. On the south end you have some distanse to the horizon and can often view the sun going down. This day was rather dark. However as it is with clouded days there are always, or close to, cracks in the cloud layer where sun gets trough and with long exposure this spots or cracks get more visible.

All photos here are shot with Canon EOS-1D Mark IV and Canon EF 16-35mm F4L IS USM, and Lee Filters Little Stopper (6 Stop ND filter) and Lee Filters 0.9 ND grad filter. The Grad filter is adjusted different from photo to photo. The 6 Stop ND filter is used to give me long exposures where I am then able to blur water and clouds and let nature paint patterns and structure based on the movements present.

Often when I shoot the landscapes at sunset or right after as I like to do I think they get a bit to dark blue, so I often add a layer that is a bit coloured to adjust the effect to how I do enjoy it more.

First I was shooting exposures and made some nice ones.

At dusk
16mm / ƒ/11/ 30s / ISO 50
16mm / ƒ/11 / 55s / ISO 50
16mm / ƒ/11 / 55s / ISO 50

I decided as the sky was interesting and there wasn’t to much movement in it that it could be interesting to attempt a panorama. So I shut 4 frames at 34/35s exposure where I moved the camera sidewise with the tripod head so that all other settings where the same. As 35s requires bulb mode it requires some awareness. Then I used the create panorama feature in Adobe Lightroom and the four exposures where aligned next to each other. I then cut the photo so that all edges are straight.

I am very happy with the results of this.

16mm / ƒ/11 / 34s / ISO 50
16mm / ƒ/11 / 34s / ISO 50

 

Baybysteps II

Well I have inspired myself. I liked the video of simplicity I made last time. So I have made more, and they are much like the earlier once rather simple. This is on of the tide rising, and trough the film it rises just about an inch.

 

Inspired

Yesterday I found a book in the store that I for once felt resonated with me. There are many books about photography, but I do not experience that to many of them focus on the kind of photography I do. This book does, it also added some cool ideas I will work with in the future.

The book is called “Moodscapes” and is written by Rebekka Gudleifsdottir.

IMG_5264

 

The book gives a history of her photography, suggestions what she thinks is important, a view into her methodology and art. I found it to be a great read and read all trough it the same evening.

Another inspiration has been the photo I called “Sunset III” and published on 500px Monday got for me an all time high 96.9 with almost 1300 views

Sunset III by Leif Egil Hegdal

When I was sitting at my daytime job today and looked outside the window to see the clear blue sky and the sun shining I knew I had to take an early day off. I would love to live off photography, but until that day, I earn most money doing IT Consulting work. Well I left 1,5 hours earlier then original planned.

I decided to go to the Naturism beach at Bygdøy, because it offers a bit different micro terrain then the place I was at Sunday. When I was in the Army some 20 years ago, I learned that the micro terrain was the small hills, stone and bushes that was in front of you, and that they could offer good coverage if I knew how to use them. As a photographer I am trying to use this as a foreground on my photos.

When I came the sun stood still high on the sky so I did some other / different shots.

First one with the sun in my back

17mm / 13s / f/11 / ISO 50

And then one more or less directly to the sun

16mm / 1/13s / f/18 / ISO 50

After a while the sun went down behind the horizon and the real nice light illuminated the landscape.

16mm / 30s / f/13 / ISO 50
16mm / 33s / f/16 / ISO 50

 

I am pleased with the two last photos. However I experienced that I raised the bar today and required more perfectionism from myself. It was hard finding a position that I was really happy with. However the fact that it is difficult and challenging continues to inspire me. If all photos you took where sublime, then anyone could do it and no one could make this a living.

 

 

After rain comes calmness and clouds

The last two days it has been raining here. rather heavy after almost two weeks with sun. Sun is nice, but sun often entail no clouds. Clouds give pictures more life.

As the rain stopped I wanted to capture some of the beauty and drama that was out there.  I put my camera on the tripod and took the shot. The photo under was shot at 24mm @ 4s, f18, ISO 50

This is a great landscape with amazing contrasts and colors. I wanted to take it further. So I put on a Lee Big Stopper to see if I was able to really draw movement direction of the water and clouds together. I first tried to do it with the same aperture, this however required an exposure time of around 20-30 minutes, closer to 30, if the light had been constant. However as it got fast darker it would have to be something for another time. I readjusted the aperture to 3,5 and shot a photo at on 125 seconds instead. This would also ensure that the moon that was up wouldn’t drift to much in the frame. I am pleased with the end results.